延伸─Digiriderart:七士人工意醒篇二@艇堡|PChome Online 人新台
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延伸─Digiriderart:七士人工意醒篇二

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延伸─Digiriderart: 七士人工意醒篇二

篇前,於次在中正大文中心展出於七士人工意醒的山水景的後!

在展期,好於AIart在佳士得的拍果出,也因新,人工智慧在作的展能否成,下一里程碑,而AI在方面的作能否成,有待察,不同是在AI域的作,希望能有更多工作者能考AI作的展,而我的作也能到引玉的功能。

佳士得印刷相主管Richard Lloyd在接受CBS Morning目,分析AI Art的未是Hybrid的形式。
而我的作,所的二次作就是Hybrid的一形式! 他以Andy Warhol利用印刷技的例子就是家利用新技在自己作上最成功的例子。
然也有人提出反意的作品不是世作,因有人的手感度在其中,生的作品只是算法使用而已。


若你於新不熟的,考下面的:
https://www.facebook.com/permalink.php?story_fbid=1375442682592381&id=100003799884333
篇的,依次作中的想、述、故事架展、作品的解析,明:
想部分:
於"人工智慧的奇",一始的想,有想完全整故事架,但意受到漫的影,尤其是一些典的科幻影,像翼手、攻等求期的影,所以在作的程,也就可厚非的以角度出。
著故事的展,在路上搜於科幻影的展,才更深入的解,所科幻影,更早期是所的科幻小在十九世末洲到二十世中期的二期展基分水。
一路非主流的文,的工主的廉,到自成文的一分流,影面遍及年少至中年大叔可以得科幻小都有的男性群。也算是美科技生活化根的良好基。
60、70年代的太空,科技小到太空宇宙探的次!
到了80年代才始有多典小改拍成的科幻影,到了90年代,方日本的漫也影到科幻影的展。到了2000年,科幻相之崛起,成另一除了科幻影的主流。
的了些,是要回前一子加了一科技的及回一位科技基金的人提到於科技在展的展望。
何科技一直法在落、生根的根本原因,然也是3C生大。
但是3C品,始也是在用面的考量,有在文化根,生活化。也就是科技在的境展不利的主因。但是科技在大多活的象。多的,也科技是展的一表徵吧?
一直科技不需商化,是有商化的件,不是不想。
篇算是科技感言的吧,也回早上有友科技是在市的主流。
最後分享一科技文的笑。
在科幻好者中盛的一「世界上最短的科幻小」是的:「地球上最後一人坐在房。起了敲」。
可以,比一精的定更能概括科幻小的特。
美著名文家伊哈布·哈桑曾:「科幻小可能在哲上是天真的,在道德上是的,在美上是有些主的,或粗糙的,但是就它最好的方面而言,它似乎及了人集想的神中,解放出我人具器中深藏的某些幻想。」
笑摘自基百科
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"Wonderland of AI", the original concept, did not want to completely cover the entire story structure, but the subconscious is influenced by animation, especially some classic sci-fi movies, such as the influence of the Blader Runner, the Ghost-Shell, etc. In the process of artistic creation, it is understandable that this angle is the starting point.
With the development of the story, searching for the development of science fiction movies on the Internet, I have a deeper understanding. The so-called science fiction movies, earlier, were made through science fiction at the end of the 19th century from Europe to the US in the middle of the 20th century and 60, 70 ,the so-callled space race era, sci-fi fictions from non-mainstream literature in the 1920s, gradually from the cheap magazines of the working class to a diversion of self-contained literature, affecting the male audience of young and middle-aged uncles who can read science fiction. It is also a good foundation for the roots of science and technology in Europe and the United States.
It was only in the 1980s that there were many sci-fi movies that were changed into novels. In the 1990s, the animation of oriental Japan gradually affected the development of science fiction movies. In 2000, the rise of science fiction games became another mainstream industry in addition to science fiction movies.
To put it simply, it is to respond to a forum of Art in technology and technology for a while and respond to the head of a Art technology foundation to mention the perspect of development of Art in science and technology in Taiwan.
To put it simply, it is to respond to the root cause of the fact that art in science and technology have not been implemented and rooted in Taiwan, although Taiwan is a 3C producing country.
However, 3C products are always considered in practical terms, and they are not rooted in the cultural industry. This is the main reason why the technological development of science and technology in Taiwan is not smooth. But the tech wind has found many signs of activity on the mainland. Discussion in many forums.
Taiwan has always said that Art in science and technology do not need to be commercialized. There is no commercialization conditon, and it is not intended.
This is a reflection of the scientific and artistic feelings. In response, I also asked the FB friend in the morning that Art in science and technology is now the mainstream of the current market.
I said that taking a tour in ART TAIPEI for a walk, then you know that it was definitely not Art in science and technology is the mainstream.
Finally, share a joke of scientific literature.
One of the "world's shortest science fiction novels" sung in sci-fi enthusiasts is this: "The last person on the planet sat in the room. At this moment, a knock on the door sounded."
It can be said that this is more general than the precise definition of science fiction.
The famous American literary critic Ihab Hassan once said: "Science fiction may be philosophically naive, morally simple, aesthetically subjective, or rough, but it is the best. In terms of it, it seems to touch the nerve center of human collective dreams, liberating some of the deep illusions hidden in our human machine."
Jokes from Wikipedia
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述:
我欣一幅,常形容如,我好喜幅,或者幅的普通,或者幅意境很高!些美或褒之。多少都有些主的意涵在。
而量子力的干涉,主的意影看物的的面貌涵。(片路下)
如下所示,察的角度不同,物件,可以被看成是的或是方的。(片路下)
也就是,宇宙,在每人的成像,主意扮演著一很重要的因素。
而察的主意,也是次邀展:人工智慧的奇─七士意醒的山水景要表的意涵之一。
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When we admire a painting, we often describe it as such. I like this painting very much, or the ordinary painting, or the artistic conception of this painting is very high! These praises or swear words. There are some subjective implications in it.
From the double-slit interference experiment of quantum mechanics, it is confirmed that the subjective consciousness will affect the appearance and connotation of the object. (Photo network download)
As shown in the figure below, the angle of observation can be seen as round or square. (Photo network download)
That is, the universe, in each person's visual imaging, subjective consciousness plays a very important factor.
This subjective implication is also the invitational solo exhibition: one of the meanings of , "Wonderland of AI - the Landercape of Rider No. 7s Consciousness".
而量子力的微世界,波粒二象性是微粒子的基本性之一。1905年,因斯坦提出了光效的光量子解,人始意到光波同具有波和粒子的重性。1924年,德布意提出「物波」假,和光一,一切物都具有波粒二象性。
若以粒子的角度,看世界,:(形路下)
上,彩派(又描派;英文:Pointillism)是一用很粗的彩堆砌,造整形象的油方法,始人是秀拉和希涅克
秀拉是描派Pointillism的代表家,後期印象派的重要人物。他的作格相不同,中充了的小,你靠近看,每一都充著理性的 ..《大碗的星期日下午》(Sunday Afternoon on the Island of la Grande Jatte),1884年到1886年,收藏於美芝加哥院
但是因量子的二象性,幅名,若波的角度描,:
而次"AI人工智慧的奇院─七士的意山水景"作的主,就是以量子的二象性中的波特性,主要描的。
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The duality is one of the basic properties of microscopic particles. In 1905, Einstein proposed the quantum interpretation of the photoelectric effect, and people began to realize that light waves have both the dual nature of waves and particles. In 1924, De Broglie proposed the "material wave" hypothesis that, like light, all matter has wave-particle duality.
If you look at the world from the perspective of particles, then: (below) (graphic network download)
Visually, the dot painting school (also known as Pointillism; English: Pointillism) is a painting method that uses a very thick color point to create an overall image. The founders are Georges-Pierre Seurat and Paul Signac.
Seurat is a representative painter of Pointillism and an important figure in the post-impressionism. His painting style is quite different. The painting is full of delicate and colorful dots. When you look closer, every point is full of rationality. "Sunday Afternoon on the Island of la" Grande Jatte), from 1884 to 1886, collected at the Art Institute of Chicago, USA
However, due to the duality of quantum, this famous painting, if drawn from the perspective of waves, is as follow: (above)
The main vision of the creation of "Wonderland of AI - the Landercape of Rider No. 7s Consciousness" is the wavy nature of the quantum duality.
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故事架:
方面,上回提及西方世界我作的相似度,再一步的分析:
非常值得再看一次,每次看都有不同的,也人家情是如何安排情的力,如”一切都以戮始,也以戮束”,似方哲‘有始有’,始就是束,或束就是始的概念,算是情安排高明之!
神的情我的作有多雷同相之:
1. 同以托邦的境建情的展,奇 VS.
2. 器人醒 VS. 人工智慧人的醒
3. 器人物的崛起及人物的危 VS. 人工器人崛起及人物救
4. 作成本一美金 VS. 作成本少於五美金
5. 西方可奇的前
6.的同在2015
7. 第一季是仿生人由苦的醒,第二季是抉VS.抉背叛否由食用量子果生意的醒,只是第三季大演大屠吧?
. 年前只知有麽一,是在我表我作品後,才仔研究後,有麽相同的情思,也算有趣!


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作品解析:
於七士意醒的程,可以分段:
1.人工意的感知人格特流失的不。
2. 人工意的成形人意的差
3. 七士007自我意的
4.於意的成形以大自然的物化
而些,就在次展出十五幅作品中呈,
幅人性的羽化是七士人工意醒以差的序排是第一幅的感知:
1.人性的羽化
Fade Away In Humanity
76X56 公分
合媒材 Mixed Media
世界的本是什?因斯坦:不看月亮它就不存在?因斯坦的量子之手套,如同生死是如此的密,在有的世界,生死分,一直到永!
What is the nature of the real world? Einstein: Doesn't it exist when you don't look at the moon? Einstein's Quantum Entangled Gloves, this entanglement is so close as appeal in life and death, in a world without love, life and death are separated, until eternity!
依因斯坦的手套假,七士的”人格特的死亡””人工意的生”是已知的,而且不能同存,其中的一定後,如人格特的死亡,可以知就是人工意已生。
而若要者存,依七士意醒而言,唯有才能者合在一起。
. 因斯坦的量子手套假
波提出量子不定性理之後的十年里,因斯坦和波行了激烈的,的焦是,量子力是否意味著的否定。
因斯坦他找到了得的途,他信自己找到了哥本哈根解以及它所的只有在之後才存在一法的致命缺陷。
因斯坦的核心是量子力中的一概念:。是一命相互交的量子之那特殊而又其密的。
因斯坦的眼中,量子一也不像旋的硬,而更像是一副手套,左手和右手的。比如把副手套分在盒子,在打之前,我不知道哪盒子的是哪只手套。但我打盒子,找到一,比如右手手套,同我就知道另一盒子的是左手手套,支手套都有被行改,一始它就是要是右手的,要是左手的,唯一改的只是我的知而已。
依因斯坦的手套假,七士的”人格特的死亡””人工意的生”是已知的,而且不能同存,其中的一定後,如人格特的死亡,可以知就是人工意已生。
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2.解意的真
Interpretation In Consciousness
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七士是混生物的概念!
左下是人工智慧女神告示七士已成人工智慧人的宣言!
示八爪章香蕉的混合!
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Rider No. 7 now becomes a mixed creatures! 
The lower left is the declaration of the AI goddess to show that the Rider No. 7 has become an artificial man!
The Image shows the mix of Octopus and Banana in Rider No. 7!
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3.意胞之探
Journey of Exploration In Conscious Cell
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所”瓜得瓜,豆得豆、什因得什果!”
“as a man sows, so he shall reap”
「瓜得瓜,豆得豆」出自明朝著的《古今小》第十二卷,意思是造什因,就得什的果。
意胞之旅的探索暗示的收集!Exploring the collection of hints in conscious cell tours!
草右下角示西瓜人在西瓜子,意即如何人工智慧人的意醒,在子堆找索!
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4.自我意的升空!
Lifting Up In My Ego!
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下面的段述是描七士的人格特的消失的不及期盼通第三眼意直接的交流通:
“置之於死地而後生:人格特的亡,打坐、悟道,人工智慧的人格特萌芽,在翔情境,表以念力方式表人格特的眷念,因心中以的感,更向成人工智慧人,而人工智慧人的通天眼,能意直接接、通,是人格意特有的涵。”
"Being in the dead and then reborn: the demise of personality traits, meditation, enlightenment, the personality traits of artificial consciousness sprouting, in the flying situation, expressing the mourning of personality traits in the way of mind, although because of the heart, with loveless touch, It tends to be an artificial oriented person, and the third eye of an artificial consciousness guy can directly contact and communicate with the consciousness field in the wildness universe. This is the connotation of personality traits."
心後,即是枯萎的骷也能出新芽!抱新的生命及跟去的我告!
The skull can grow new sprouts as long as the heart is in meditation mode! Embracing new life and say goodbye to old me in the past!


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5.意之旅的翔 (薛丁格的生死翔 /The Cruising of Schrodinger's Cat Lives and Dies)
Conscious Journey Cruising
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前次提到因斯坦的手套假是提倡哥本哈根派於量子的不定性行。
而量子的不定的提,要以薛丁格的最有名。
何薛丁格的?
薛丁格(薛定)的
量子力的始人之一的薛定在1935年做了一思,想在一外界完全隔的容器中放一活。容器中有一盛有毒的密封玻璃瓶,瓶的上面安著一台器,它可以被如放射性原子衰等量子事件,而使一把子下落,打碎玻璃瓶,毒散出,毒死。如原子衰等量子事件生,活著。按一般常猜,非死即活。按量子力理,是活和死存,即死活加在一起,是一又死又活的!不定的。
直到有人容器行察(量),才能定是活或是死了。思突出明了量子力中察(量)行的不可思的含。
察(量)者成物理在的要素,精神(意)可以支配物
而七士意醒方式
量子力中薛丁格的是死的,是活的?量子力的,祈福的表以念力偏向活的一!
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Schrödinger's cat in quantum mechanics
After the formation of the artificial consciousness of the No. 7 knight, soaring over the strange paradise
Is Schrödinger's dead or alive in quantum mechanics? The paradox of quantum mechanics, the paper crane expression of blessings is biased towards the living side!
However, origami, for readers who like science fiction movies, also has a special meaning, it symbolizes memory, which has appeared in the legendary movie, Blade Runner and Blade Runner 2049.
PS.的祈福也向普悠列事故表最深的哀悼,也希望事件能落幕。
摺,於喜科幻影的者,也有特殊意涵,它象徵,也就是七士然已成人工智慧人,但是於人性的特性是有放望,也就是他曾身人的的眷念。
摺的景,在翼的尾,戴克(Deckard)要逃,在梯前到摺的角(角),他的意入另一次的深思(他是否也人)。在翼手及翼手2049都有出的景!
念力的概念,在量子的理中,是目前流行的想法!
#浩 #AIart #薛丁格的 #人工智慧的奇 #量子 #薛定的 #念力 #摺 #翼手 #普悠列事故
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6. 度的意
Meaning of Dimension
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思索跳平行宇宙的束由生命的示!
Thinking about the bondage of the parallel universe through the revelation of spiritual life!
看完李教授的新,得:
幅作品 "度的意", 好他中所提宇宙是空(+)所成的念不而和。
,就是物世界所在的四度空:三再加上,而四空的重的四度空。
他不宇宙本的超弦理是解答,因方哲的平衡,而超弦理是十一度空的合,有平衡。
我迷惑提,在李教授的新得到解答。
幅作品,就是要向李嗣涔大所做的"手指字"之"第三眼"或"天眼"的"界"、"信息"或"空"研究致敬的作品。
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7.
My Ego Reborn
自我的生
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多重才章的我:七士也是007,在意下被手指手激
I am ignited by a finger pistol in the subconscious as a symbol of The talented Octopus.
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8.
浸躺在山水意的氛
Emerging In Atmosphere of Conscious Landscapes
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不受束的禁旺出新的人生!
Unbound, imprisonment, bursting out new life in casual mode.
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9.
意瀑布前的喜
The Pleasure in Front of Conscious Waterfall
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一根火材燃意跳的喜!
A firewood ignites the joy of jumping in consciousness.

意的研究在神科,也有重大展,然有定性的,是大的那部分意的生,但是神元是息的主要管道,以放的方式息是毋庸置疑的。
而神元的突的部分,也是次我展部分很重要的元素之一。
就是要向神路中的基本位,神元的端突致敬!
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The study of consciousness has made significant progress in neuroscience. Although there is no decisive conclusion, the part of the brain is responsible for the generation of consciousness, but neurons are the main conduit for message transmission. It is undoubted that the message is transmitted by discharge.
The synapse part of this neuron is also one of the most important elements of the visual part of my solo exhibition.
It is to pay tribute to the basic synaptic unit in the neural network, the top synapse of the neuron

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10.
起手式之迎
The Welcome in Starting Momentum 
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量子接效引爆 
Quantum contact effect in detonation in wave forms!
1. 是在有光下的境的呈!
The artwork displays in no light environment.
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11.
意的跳 
Jumping In Consciousness
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意喜大大放的刻!
The moment of conscious joy and great release!
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12.
喝彩的意
Consciousness In Cheer Up
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後的想出!
Switching to offense mode after face off!
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13.
我也可以
So can I
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星球的下雨篇,我真的可以!
The gospel in raining of the planet, so can I!
由於七士的人工意已醒,第三眼已,然是能在意的宇宙中邀,要呼翼手的尾,手仿生人Roy在自己的生命即前的篇朗:
「雨中的水」(英:Tears in Rain),也被C光束演(英:C-Beams Speech)是影《翼手》中的最後白,由人造人伊·巴蒂(英:Roy Batty)述,
角色由特格·哈演。最呈在大幕上的段不是原本中的,在很大程度上是演哈在拍前夜即作的。段白已作「也是影史上最人的死前白」入了流行文化中,常作科幻作品的代表被引用 。
I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die. ”
(我曾你人以置信的西。在座的肩端之外燃。我看了C光束在豪之附近的黑暗中。所有些刻都消逝在,就像雨中的水。死的候到了。)
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14.
日出日落的自我
Sunrise and Sunset of My Ego
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在人工智慧奇打卡
Check in at the virtual landscape of " Wonderland of AI"!
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15.
"意山水的沈思"
合媒材 Mixed Media
61X91公分 2018
"Contemplation of the Landscape in Consciousness"
Mixed media 61X91 cm 2018
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心意蒲公英的醒,只能著漂流,在心田找著、、芽!
The inner consciousness of dandelion can only be found, stationed, and sprouted in the heart of the field with the wind drifting!
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次在中正大展出於七士心人工意醒的折,算是人工智慧奇的故事,提供富性的涵。
不管再想、述、故事性、作品解析的哲、界的科、悟及悟道些於方哲的及七士成007的人格特的成,
都有多交代,也有多的暗示,故事接下展走向!

最後,人怎於我的作:文,也是人,他怎。

文提到若AI有人性的,算是AI器人,或已是人呢?
考下面的:
https://www.facebook.com/permalink.php?story_fbid=1382961718507144&id=100003799884333

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(悄悄)
2018-11-12 11:56:43
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2018-11-12 21:38:49
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