As a poet, everyone has their own thoughts about poetry, felt from one perspective or another. Overall, it's a respectable feeling. However, not every feeling, every statement will attract wide attention, if it does not achieve the necessary generalization ability and does not show a clear and innovative creative direction. . It is worth mentioning that when attending a speech about poetry, many people like to state the definition, and the phrase "poetry is"... and often repeated. They must sincerely believe that their own definition of poetry is valid for universal truth. In fact, all definitions of poetry are only "correctly" relative. First, let's temporarily believe that they are only true for those who have recognized that concept and definition.
The author must be well aware of that. His writing does not aim at a narrow definition, but opens up new perspectives on poetry, opening up the vast creativity ahead for Vietnamese poets at the time of the last years of the forties. 20th century, that is, the time when there were great revolutionary changes in society, and the path of modernizing Vietnamese poetry has taken a long step forward. This is one of the articles that recognizes the concept of poetry that is really meaningful and is often mentioned, whenever people mention the poetic path as well as the ability to innovate poetry of Author Nguyen Dinh Thi.
In the first part of the article, Nguyen Dinh Thi converses with a number of views on poetry that have dominated the creative and perceptive actions of a large number of poets and readers. There are three ways of seeing that have been raised: to be a poem, it must have "beautiful words"; the subject of the poem must be "beautiful subject"; "Poetry differs from other genres in that poetry is imprinted on memory". According to Author Nguyen Dinh Thi, all three ways of feeling above are somewhat one-sided, because there are many examples in poetic practice that prove the opposite. The Author's dialogue is very light, but what can be drawn from here is very weighty: the trivial words of everyday speech can perfectly be incorporated into poetry and can still be poetic. ; "Today's poets do not seek the illusory eternity outside of real human life" and the themes of weather, flowers, snow, and sadness are no longer essential topics. Those "drawn" things reflect a new conception of Nguyen Dinh Thi's poetry - a concept that, if it becomes a popular perception, may bring Vietnamese poetry to great strides.
Going to the next part, to clarify the assumption: "Is the clue of poetry perhaps looking inside the human soul?", Nguyen Dinh Thi described (through very interesting comparison images) The state of the human soul when there is a "poetic vibration" and the role of the poem in expressing and spreading that vibration. According to the Author, the poem is formed in the poet's mind or resounds in the readers' nostalgia once they appear "an unusually shaking psychological state", "due to some collision with the world". outside, with nature, with other people". It is this "collision" that helps the soul to "look into it". And when writing poetry, the poet does not have to live with mere memory but with the interaction between memory and what is being experienced at the moment. Past and present blend together on the self-consciousness of the poet, giving rise to poetic emotions. This thought of the author is also close to that of the poet Uyliam Ussow: "I have said that poetry is the spontaneous outpouring of intense emotions: it originates in feelings. The emotion is recalled in equanimity; the emotion is contemplated until, due to a particular kind of reaction, the equanimity gradually disappears, and another emotion familiar to the former is the object of the contemplation arises from time to time and it actually exists in the mind".
The author believes that poems have a wonderful ability to preserve vividly the poet's state of mind when he writes poetry, through "words", "words". It is these "words", those "words" that are the clues to the sympathies between the poet and the reader. There has been "poetic vibration", that is, an unusual type of vibration as mentioned above, readers easily resonate with the vibration frequencies of the poet "when looking at the words, when hearing the words". , because it entails words, that word is "images, thoughts, desires, feelings", as if a "light around a fire". The comparison image that the author gives here is extremely delicate. It is as shimmering as the poetry itself and has vividly expressed the so-called organic attachment between content and form in this type of composition.
Before the direct discussion about images in poetry, Author Nguyen Dinh Thi affirmed that "poetry must have thoughts and consciousness", but "poetry does not speak with pure ideas", because if so, poetry would have been damaged. along with ethics (logical, philosophical,... The path of poetry is towards "moving the depths of the soul, bringing emotions straight into thought", because
More:
https://music.amazon.co.uk/podcasts/0e729cd3-8ac3-4fe2-a4c4-f2c1f436d84f/episodes/f26d8c1b-96c7-4274-9efc-04d12a0aa2cd/vui-h%E1%BB%8Dc---n%E1%BB%81n-t%E1%BA%A3ng-h%E1%BB%8Dc-online-h%C3%A0ng-%C4%91%E1%BA%A7u-cho-c%E1%BA%A5p-thpt-phan-tich-may-y-nghi-ve-tho
https://podcasts.apple.com/us/podcast/phan-tich-may-y-nghi-ve-tho/id1688521186?i=1000619512953
https://www.podpage.com/vui-hoc/blog/bai-mau-phan-tich-may-y-nghi-ve-tho-mon-van-12/
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